Showing posts with label Apron Toe Shoes. Show all posts
Showing posts with label Apron Toe Shoes. Show all posts
Monday, 4 June 2012
The Beauty of a Custom Patina
It's my last day in Seattle and therefore I am trying to use my limited time to spend with all of my friends and family, which ultimately meanss that I don't have a lot of time for the blog today. I will do my best tomorrow to have a long post up, but there will not be any guarantees. In the meanwhile, I will leave you with a pair of J.M. Westons' that Paulus Bolten put his magic tough to, creating a beautiful piece of art with this purple patina. While there is much to say on the subject, I think that the picture speaks for itself. No matter where you are in the world, you can take advantage of Paulus' abilities, by sending off your shoes to Paris, and having them sent back! It's worth the price and doesn't take long at all.....
Labels:
Apron Toe Shoes,
dress shoes,
French Patina,
French Patina Artists,
J.M. Weston,
Patina,
Paulus Bolten,
Purple Shoes
Wednesday, 9 May 2012
Shoe Photography - Capturing The Right Light
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| Picture Courtesy of The Style Buff |
There is no light like natural light when it comes to shoe photography. But then again, even with that you will need the right camera. Time and time again, pictures will misrepresent the true beauty of a shoe. I know this better than anyone as I take pictures with my cell phone all of the time and due to that, nice shoes end up looking like junk. But this also can work the other way, where the photographer was so brilliant that they were able to make a crap shoe look good. This shoe, by Bocache e Salvucci, managed to get that brilliant photography treatment. It would appear that this shoe was given a mirror like glass shine, but I think that instead, it was just given a really good overall shine, but managed to capitalize on the amazing light that was out that day. Nevertheless, it was already a good looking shoe, just made to look even better. Time again, I give a mirror like glass shine to a shoe, snap a picture of it, and it looks dull. Go figure....but then again, photography has NEVER been my strong suit....unfortunate as that is considering that I write a blog that requires some use of it.....
Labels:
Apron Toe Shoes,
brown loafers,
dress shoes,
Italian shoemakers,
Italian Shoes,
Tassel Loafers
Tuesday, 10 April 2012
Hand-Stitching The Apron: By Enrile
Have you ever wondered why an apron-toe shoe might cost more than its cap-toe or wingtip counterpart? Well, more likely than not, it is because that 'apron' (as it is called - the stitching on the toe/vamp area), was put together by someone sewing it by hand. That handwork (as it is called) costs extra money. Now this might be slightly off the subject at hand but I must stress this importance --as I continue to hear incorrect usage of the term 'handmade'-- that this 'handwork' does not mean that the shoe was necessarily 'handmade.' There is a difference. The reason that I state this, is because not too long ago, I walked into a British designers' shoe shop, and upon entering (and looking at a pair of shoes), some doorman had the nerve to tell me that the shoes were 'handmade.' While I did not say anything in response (as the designer was there as well and I did not feel like having a dispute with my wife around), I was quite appalled by how this guy was just throwing this term around, especially since I have made a pair of shoes by hand. Needless to say, these shoes were not 'handmade' and were clearly made by Cheaney, easily recognizable by the insignia inside of the shoe. They don't make 'handmade' shoes (Cheaney), and at best they may do a 'handgrade' shoe. This one presented (by Enrile) might well be considered (as this one was welted by machine), for the amount of 'handwork' that was put into it.
This one presented (by Enrile) would also be considered 'handgrade' (as it was welted by machine), for the amount of 'handwork' that was put into it. But don't be fooled, they can also do a complete handmade shoe, so should desire the client.... Now, while I will say that, in reality, having the sole stitched by hand versus machine, really makes no difference when in comes to practicality. There is only bragging rights that separates the two. In fact, having a machine stitched sole (on the welt), will almost always look a lot cleaner than a hand-stitched one. But, when it comes to the apron, a hand-stitched one will almost always look better than its machine stitched counterpart, so long as the person doing the stitching is experienced. But, doing this is very difficult, as it is easy to mess up, and once you puncture that upper leather, it is very hard to conceal it should you have made a mistake. That being, your stitch marks have to be spot on, without any mistakes. This differs with sole stitching as you can make a mistake and hide it with the fudge wheel (the tool that makes the indented edging on the welt).
Since as I have done this twice (while apprenticing), I will try to explain it as best as I can, as the pictures only give you so much. However, the way that I did it, was a bit more difficult than the way presented here as the leather was not already split, giving an indication of where the apron needed to be. When I did it, I had to last the upper as usual, but only hold it into place as opposed to completely last it over permanently. That's because, I had to stitch the apron directly onto the leather while fixated to the last, not while it was just floating about. So after lasting the upper and fastening it relatively taut to the last, you have to draw on the apron (as best as you can) directly to the upper with the magic silver pen (that erases off of leather). Once you feel that you have the apron (two lines - outside and inside) drawn to perfection, that is when you start making the punctures with the awl (needle-like tool) and thread the stitches through. But like I said, every step must be dead on or you end up with some dodgy stitches like the few that were on the shoes that I did (unfortunately I don't have any pictures....sorry). Nevertheless, stitching the apron by hand is one of those details that just really makes the shoe look nicer. Not that it makes a huge difference in whether or not the shoe holds up, but it will always be an added touch of luxury!
http://enrileshoes.blogspot.co.uk/
Wednesday, 2 November 2011
Today's Favorites - Paolo Scafora
I had always read about Neapolitan shoemaker Paolo Scafora (in a good light) but had never had the actual pleasure of knowing how his shoes truly were, until yesterday. A customer that comes in quite often to Gieves (who once told me way back when that he would bring in some shoes for shining) finally dropped off a pair for me to rejuvenate (pictured below), of which just so happened to be RTW by Paolo Scafora. A lovely pair I must say, not only in style but also in quality. The leather was a pleasure to shine and the more that I handled it, the more that I wanted to kick myself for not owning a pair of brown monks, a model that every shoe lover should own at least one pair of.
This occasion had reminded me of all of the pictures that I have of his shoes, but have so horribly neglected to put up until now. It makes me quite sad to think about, because the closer that I come to starting my own shoe line, the more I realize that I will never need to buy a pair from another maker, even if I wanted to, as it would not make sense financially nor in a marketing aspect. But as a shoe snob, I want to own shoes by all the respectable makers.....what predicaments to be worry about, as in reality, it's not that big of deal. Nevertheless, if you ever find yourself in Napoli, I would stop by to visit him, as the gentlemen who snapped the picture above did, found here.
Labels:
Apron Toe Shoes,
Bespoke Shoemakers,
Brown Cap Toes,
dress shoes,
Italian Shoes,
monk straps,
Paolo Scafora
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